About me
I create and direct movement-based adaptations and devised work for theatre and dance companies worldwide, with a passion for excavating horror and gothic literature through choreography. My work reimagines canonical texts like Macbeth, Sweeney Todd, and The Legend of Sleepy Hollow, exploring how physical storytelling can illuminate these narratives in unexpected ways. I'm particularly drawn to examining representations of gender and sexuality in classic horror, understanding writers' creative processes, and pursuing interdisciplinary collaborations that push genre boundaries. Movement offers a unique lens for discovering new dimensions in the stories we think we know.
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